Adele Ruhdorfer (she/her) is an emerging writer, researcher, and curator, with a creative practice centred on photographic, lens-based, digital media, and collage. She is currently pursuing a master’s degree in Art History at Carleton University, located on the unceded territories of the Algonquin nation. Drawing upon her own lived experiences as a neurodiverse and chronically ill person, she focuses on the embodied creative practices of disabled, mad, and sick artists in her research and curatorial practice. Her research complicates the definition of Disability Arts beyond a politics of visibility, to include non-representational, abstract, and immersive art. Focus is given to artists using an aesthetics of error in their lens-based, time-based, chance-based, digital media, and/or glitch art, highlighting how technological relationships extend their body’s capacity for creative expression, while remaining grounded in their embodied experiences and lived crip knowledge.